Hanky Panky Hd Mp4 Download
- spybamaradma
- Sep 18, 2018
- 3 min read
a5c7b9f00b Architect Michael Jordan, a Chicago Architect, is New York on business. A beautiful stranger identifying herself as Janet Dunn, runs into the taxi cab he's using. He volunteers to put a package into the mailbox for her after she hastily addresses the envelope. Infatuated with her goes to see her at her hotel. She brushes him off and closes the door in his face. He is about to leave when he hears a shot. Janet opens the door and falls into his arms dead. Now everyone believes that he's the killer. A mysterious group that's after the package is now after him. His only ally is Kate Hellman, who has secrets of her own. To clear his name they have to find out what was in the package, who wants it and why. Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run. This Hitchcockian comedy-thriller misfire re-united star Gene Wilder with actor-turned-director Poitier after the box-office success of STIR CRAZY (1980; which I should be getting to presently), but it was also the fourth and last collaboration between Poitier and Richard Widmark – the others being NO WAY OUT (1950; Poitier's debut), the similarly maligned THE LONG SHIPS (1963) and the superb THE BEDFORD INCIDENT (1965; produced by Widmark). Incidentally, HANKY PANKY was intended as a follow-up to SILVER STREAK (1976) and STIR CRAZY itself as yet another teaming of Wilder with Richard Pryor – but the latter's role eventually got turned into a female character and played by Gilda Radner (from TV's "Saturday Night Live"). The two stars would then fall in love and marry but, alas, the relationship was not long-lasting as Radner would die within 5 years! Anyway, while HANKY PANKY is hardly terrible, it is far from a classic either: the thrills are largely mechanical (leading predictably to violence, a case of mistaken identity for the bewildered hero, and elaborate action for the denouement) and the laughs – the genuine ones, that is – too few (mostly, it is Wilder doing his idiosyncratic hysterical shtick). Radner herself, to say nothing of Widmark (albeit still effortlessly intimidating at 68), is somewhat underused; notable supporting roles, then, are played by Kathleen Quinlan and Robert Prosky as Intelligence operatives – respectively pursued by and pursuing Widmark and his henchmen. A similar set-up of a film made after this one shows that even an apparent rip-off can be funny, although I can tell honestly that the 1987 Bette Midler/Shelley Long comedy was not ripping this off. It's a shame because I had high hopes for the first pairing of Gene Wilder and Gilda Radner, and they end up with a humorless thriller that wastes their talents. If I had wanted a spy thriller, I would have gotten a James Bond film, not Willy Wonka meets Emily Latella. <br/><br/>Wilder is in the wrong place at the wrong time, ending up accused of killing Kathleen Quinlan and on the run with Radner, going from New York to Boston to the grand canyon while being chased by Richard Widmark and his thugs for a convoluted old computer tape. It is a mess of a plot with familiar character players popping up in minute long cameos. It took a while for this to get off the ground, and I breathed a sigh of relief when Gilda showed up. Unfortunately, there aren't really any major laughs, and far too many plot twists, none of which are thick enough to fill up the holes. Gene and Gilda deserved a lot better than this, especially in a film directed by Sidney Poitier. Does anyone know?
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